{"id":101395,"date":"2026-01-16T12:07:12","date_gmt":"2026-01-16T11:07:12","guid":{"rendered":"https:\/\/devstaging.humanfilm.no\/festival-guests\/"},"modified":"2026-02-13T10:50:09","modified_gmt":"2026-02-13T09:50:09","slug":"festival-guests","status":"publish","type":"page","link":"https:\/\/humanfilm.no\/en\/festival-guests\/","title":{"rendered":"Festival Guests"},"content":{"rendered":"\n\n
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\n International Guests <\/h2>\n \n
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\n \"Ales <\/div>\n <\/div>\n\n
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\n Ales Bialiatski <\/h3>\n\n

\n Leader of Human Rights Center Viasna <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Anne <\/div>\n <\/div>\n\n
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\n Anne Von Petersdorff <\/h3>\n\n

\n Producer, Elon Musk Unveiled - The Tesla Experiment <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Asif <\/div>\n <\/div>\n\n
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\n Asif Kapadia <\/h3>\n\n

\n Director of Kenny Dalglish, Amy, Senna and Diego Maradona. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Firouzeh <\/div>\n <\/div>\n\n
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\n Firouzeh Khosrovani <\/h3>\n\n

\n Director of Past Future Continuous <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Hampus <\/div>\n <\/div>\n\n
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\n Hampus Linder <\/h3>\n\n

\n Hampus Linder is the director of Confessions of a Swedish Man. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Mehrdad <\/div>\n <\/div>\n\n
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\n Mehrdad Oskouei <\/h3>\n\n

\n Director and producer of A Fox Under a Pink Moon. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Morteza <\/div>\n <\/div>\n\n
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\n Morteza Ahmadvand <\/h3>\n\n

\n Director of Past Future Continuous <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Oleg <\/div>\n <\/div>\n\n
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\n Oleg Orlov <\/h3>\n\n

\n From Memorial, Nobel Peace Prize Laureate 2022 <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Rodrigo <\/div>\n <\/div>\n\n
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\n Rodrigo V\u00e1zquez-Salessi <\/h3>\n\n

\n Rodrigo V\u00e1zquez-Salessi is the director of Identidad. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Soraya <\/div>\n <\/div>\n\n
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\n Soraya Akhlaghi <\/h3>\n\n

\n Co-director and protagonist in A Fox Under a Pink Moon.\r\n <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Vladlena <\/div>\n <\/div>\n\n
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\n Vladlena Sandu <\/h3>\n\n

\n Vladlena Sandu is the director of Memory. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n <\/div>\n <\/div>\n

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\n Norwegian Filmmakers <\/h2>\n \n
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\n \"Adel <\/div>\n <\/div>\n\n
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\n Adel Khan Farooq <\/h3>\n\n

\n Director of T\u00f8yen Pop-Up <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Birgitte <\/div>\n <\/div>\n\n
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\n Birgitte Sigmundstad <\/h3>\n\n

\n Regiss\u00f8r av Det nye museet. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

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\n \"Carl <\/div>\n <\/div>\n\n
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\n Carl Christian Lein St\u00f8rmer <\/h3>\n\n

\n Director of Memoirs From a Dream. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Deeyah <\/div>\n <\/div>\n\n
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\n Deeyah Khan <\/h3>\n\n

\n Award-Winning documentary filmmaker <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Ellen-Astri <\/div>\n <\/div>\n\n
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\n Ellen-Astri Lundby <\/h3>\n\n

\n Regiss\u00f8r av Same mot same <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Lasse <\/div>\n <\/div>\n\n
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\n Lasse D. Stensrud <\/h3>\n\n

\n Regiss\u00f8r av D\u00f8gnet - Et lakselotteri. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Mirko <\/div>\n <\/div>\n\n
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\n Mirko Stopar <\/h3>\n\n

\n Regiss\u00f8r av Et helvete uten like <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Nina <\/div>\n <\/div>\n\n
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\n Nina Bellika <\/h3>\n\n

\n Regiss\u00f8r av D\u00f8gnet - Et lakselotteri. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Peter <\/div>\n <\/div>\n\n
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\n Peter Gupta <\/h3>\n\n

\n Regiss\u00f8r av Velkommen til Anchorage. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n

\n \n\n
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\n \"Zaradasht <\/div>\n <\/div>\n\n
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\n Zaradasht Ahmed <\/h3>\n\n

\n Regiss\u00f8r av L\u00f8vene ved elven Tigris. <\/p>\n <\/div>\n\n <\/a>\n <\/article>\n <\/div>\n <\/div>\n \n <\/section>\n <\/div><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":412,"featured_media":0,"parent":0,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-101395","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/pages\/101395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/users\/412"}],"replies":[{"embeddable":true,"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/comments?post=101395"}],"version-history":[{"count":6,"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/pages\/101395\/revisions"}],"predecessor-version":[{"id":102789,"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/pages\/101395\/revisions\/102789"}],"wp:attachment":[{"href":"https:\/\/humanfilm.no\/en\/wp-json\/wp\/v2\/media?parent=101395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}